The Midas Verona is a large-format sound reinforcement console aimed squarely at the professional concert-sound market. The Verona retains the quality and feature set expected of Midas, resulting in ultra-quiet performance, flexible signal routing and an overall pristine sound quality. The console is an 8-bus unit with a variety of chassis configurations. This console features 48 input channels with balanced XLR microphone preamplifiers and 1/4″ phone line inputs.
Power your sound with the tools that power the industry. Create music or sound for film/TV and connect with a premier network of artists, producers, and mixers around the world.
The API 512c is a mic / line / instrument preamp designed to provide a low noise, unusually good sounding front end for all types of audio systems. Sonically, it offers the distinct API sound at an extremely affordable price. Offering low noise (-129 EIN) and 65 dB of gain, the 512c includes phantom power, and switchable polarity, -20 dB pad and Mic or Instrument/Line selector.
API 512C – Pre amps
API 312 Customised Pre amp
Tube Pre amps
To get quickly to the heart of tube magic, stop thinking of them as amplification devices and start thinking of them as tone-generating devices. A tube-based amp makes your guitar louder, sure, but tubes amplify your electric guitar so beautifully mainly because of the way they distort.
Get the maximum complement of analog inputs and outputs with the 16×16 Analog configuration—the ideal choice for music production. It offers 16 channels of analog I/O, 2 channels of AES/EBU I/O, 2 channels of S/PDIF I/O, and 8 channels of ADAT (S/MUX) I/O. While all four I/O bays are occupied with this option, you can swap out any of the analog cards with a different option card to customize.
Apple Imac Computers: The idea behind iMac has never wavered: to craft the ultimate desktop experience. The best display, paired with high-performance processors, graphics and storage — all within an incredibly thin, seamless enclosure.
Windows Personal Computers: Windows devices provide best-in-class performance and a wide range of choices you won’t find anywhere else.
The ADAM S3As are a brutally honest reference and will perform admirably in most any acoustic environment, from the worst to the best. If your work sounds good on these monitors, then you’ve done good work. Simple as that.
8″ Bi-amplified Nearfield Studio Monitor with Kevlar/Aramid Woofer, Soft-dome Tweeter, and High- and Low-frequency Controls.
The three-way S4V MK2 features a 12″ woofer, a 5″ HexaCone Midrange and the A.R.T tweeter. The large size of the bass driver combined with 500 W of sheer amplifier power dedicated to this driver alone enable this monitor to deliver low bass information loud and clear. The S4V´s capability to create realistic 3-D soundscapes makes them the ideal choice for the discerning surround sound engineer.
The Sub24 is for those of us who need serious low end in the studio. Let me re-phrase that…SERIOUS low end! The Sub24 is meant to reproduce LFE or other low frequency signals above 22Hz in medium-sized or larger control rooms. It is equipped with a pair of long-throw 12″ drivers that are mounted at the opposite sides of the cabinet. Due to this alignment the forces applied to the cabinet are opposite to each other and consequently compensate themselves, so that the cabinet stays much quieter than with conventional arrays. Distortion is drastically reduced that way, improving the clarity of the signal is improved especially at higher levels. The Sub24 sports two downfiring bass reflex tubes that because of their size and construction successfully avoid ventilation noise.
SE 4400A Pair: Small size and a choice of polar patterns make this mid‑priced, large‑diaphragm mic a very versatile performer.
SE 2200A: This new SE model may come in at an entry-level price, but highly capable capacitor mic, with an excellent warm polished sound.
Rode NT5: The NT5 is RØDE’s premier small-diaphragm cardioid condenser microphone, sometimes referred to as a ‘pencil mic’.Intended for recording acoustic instruments, drum overheads, cymbals and live performances.
AKG C518: Miniature Clamp-on Cardioid Condenser Microphone with Flexible Gooseneck and Low Cut Switch
AKG D112: Kick Drum/Bass Instrument Dynamic Mic
DPA 4090: Small-diaphragm Condenser Microphone with 20Hz-20kHz Frequency Range
AE2500: Condenser and Dynamic Dual-Element Kick Drum Microphone
Sennheiser 900 series drum Pack: Contains Sennheiser Drumset 900, Profi drumcase, set consists of 1x e 902 Bass Drum-Microphone, 4x e 904 Tom Microphone, 1x thomann e 906 Snare Microphone, 2x e 914 Overhead-Microphone and CC5 case with Inlay
Shure Drum Pack: Industry-standard drum microphone and hardware kit features options for kick drum, snare drum, rack toms, floor toms, and congas.
Beyer Dynamic Opus Drum Pack: The Beyerdynamic Opus Drum Pack makes miking a drum kit easy, no matter whether you’re in a studio or at a gig.
Get a streamlined yet versatile mixing system for the modern sound engineer. Based on the award-winning Pro Tools | S6 control surface, Pro Tools | S3 delivers intelligent control over every aspect of Pro Tools and other DAWs.
Inward Connections VAC RAC TSL4: Stereo limiter with smooth, tube-drenched mojo used by top mix engineers
API 527: The 527 excels at providing effective level control, while delivering a fast, bright and musically punchy character. It works superbly for bringing out the edge and body of kick drums, tightening up and adding depth to electric basses, emphasising and adding clarity to vocals, and generally taming programme dynamics without crushing the high end or losing the sense of air, which many compressors tend to do.
Various plugins available with full support. Naming a few:
Focusrite
Soundtoys
Flux
Avid
SPL
Brainworx
Randall has been in the guitar amplification game for over 40 years. Founded by Don Randall, the former president of Fender, Randall has grown to become a premier name in the music world. Built with a focus on technology and a firm view of the future, Randall’s forward-thinking mentality has helped them build a top notch reputation (as well as some top notch amps!).
Bring your bass rig up to date with the state-of-the-art TC Electronic BG500-210 bass amp combo. Weighing in at less than 40 lbs., the BG500-210 pounds out 500 watts through two 10″ speaker.
The Yamaha Oak Custom Series drums follow in the footsteps of the Yamaha birch, maple, and beech drum series; as oak offers excellent qualities as a drum shell material. Oak has a solid fundamental that delivers powerful sound while its character allows for a unique shell-size lineup. Beautifully grained, this hardwood creates a drum with stunning looks. The kick drum shell is 7-ply while the toms and floor tom shells are 6-ply.
Features:
22″ x 17″ kick drum
10″ x 8″ and 12″ x 9″ mounted toms
16″ x 16″ floor tom
